March 22nd, 2009<– by Bruce White –> Â· No Comments
Wiyaka Sinte Win or Tail Feather Woman, a Dakota woman who had a vision about the construction of a great drum, designed â€œto bring unity and healingâ€ among peoples, is to be honored this year by Dakota people. Sometime after 1862,Â Tail Feather Woman, who is usually described as being Santee, or simply Dakota, was living in a particular village when it was attacked by â€œblue coatsâ€â€“American soldiers. She took refuge in a swamp, hiding there for days, sometimes under the water so as not to be seen, breathing through a hollow reed. During that time she prayed for deliverance and she received a vision about the construction of a drum the beat of which had a transformative power that would lead the blue coats to lay down their arms.
Tail Feather Womanâ€™s vision led to the construction of many drums in the late 19th century, made by Dakota people then passed on along with the vision and its teachings to Ojibwe communities in Minnesota, who later gave drums to other tribes farther east, such as theÂ Menominee. Today these drums continue to be used in ceremonies and in celebrations. A number of Ojibwe communities today tell the story of â€œwhen the Sioux brought the drum.â€ An 1878 Â newspaper, as I tell in my bookÂ We Are at Home: Pictures of the Ojibwe People,Â told of a gathering of people at Pine City, where one such drum was given. Although the article implied that those gathered were massing for an attack on white communities, it also recounted Tail Feather Womanâ€™s vision in detail, making plain that her teachings were designed to bring people together in a time of hostility and distrust.
In recent years Tail Feather Womanâ€™s vision has been less well known among Dakota people than among the Ojibwe. In some cases Dakota people have heard her story from Ojibwe people. In a recent email announcing the intention to honor Tail Feather Woman,Â Paula Horne-Mullen:
While attending Red School House [in St. Paul] in the late 70â€™s and belonging to the Three Fires Drum Group, we â€“ as Young People from various tribes, were invited to a Big Drum Ceremony at a Long House at Round Lake in Wisconsin. The People at the ceremony were made up of mostly Anishinabe Elders, all fluent, with a Huge Drum in the Center. Â The long house had a light coming from the hole in the roof, which was shining and moved with sun movement on the Drum. Â This particular Big Drum was Huge, with four staffs in the four directions, hanging from the staffs were painted hands in different colors representing the direction. The ceremony consisted of various songs, as the light moved in a certain area across the drum, which seemed to indicate a certain song to be song. Â This ceremony is very private, a healing ceremony, with Societies that exist today with the mentioned Nations.
The ceremony came from Tail Feather Woman. Â There are many versions of her story, but the basic story is what I would like to share from the Anishinabe Elders who had an interpreter to relay the origination of the ceremony. I was asked to stand and dance through some of their songs with the Elderly woman on each side; they wanted to honor a Dakota representative and told me the story as follows:
Tail Feather Woman was by her camp gathering food, when the Blue Coats invaded her village, there are some versions that say she told the Anishinabe that her four sons died in the invasion, some do not mention this, in any case, she ran for her life from the Blue Coats who were on horse back. Â She dove in the lake and thought quickly enough to grab a reed to breath through and began to hide under the water for a long period of time, some say over night, some say for four days, in which case, it was very long for hours on endâ€¦ Â While under the water, she prayed and was visited by the Creator, who gave her a vision of the Big Drum. Â It is said she told that the pounding of the drum is to bring healing for the People and bring them together in unity. Â The Big Drum ceremony that is carried on with the Anishinabe, say it is a great Healing ceremony for their People. After the Blue Coats camped and waited for her to come up. Tail Feather Woman arose from the water by the calling of the spirit and the crying of her family, where upon she was able to walk through the camp of the blue coat soldiers, unseen. Tail Feather Woman was invisible to them, she walked through their camp and was able to take some of their food and walked across the plains to find her family. Exhausted and ill, she looked for her family, until she found them, they nursed her back to health and she told of her experience and vision. As directed by the Creator she headed east in gratitude with her family she passed on the vision, along with the songs and protocols for the ceremony to the Anishinabe. Â This ceremony still exists today with many Societies. Â She later died while living with the Anishinabe Nations.
So we remember Tail Feather Woman, a unique name, as it is the part of the eagle that is used for any of our ceremonial rites, you need that eagle tail feather to participate in most of our seven sacred rites, a powerful name. Â She was one of our Nationâ€™s women that survived a tremendous feat, through strength and endurance, earning a powerful vision of healing. Â We should not allow her memory to die with her own people or rather; this story should be reborn to her People that she lived in honor of our people. Â Her memory lives on with the Anishinabe Nation; there is even a Tail Feather Womanâ€™s Society. Â It is said that throughout History there are great Leaders that are men, but seldom do we remember a woman. Â All women are sacred and remembered as a whole for what they gave as the â€˜back boneâ€™ for the People, but her remarkable feat deserves this honor; she had to be a very strong woman to have survived under water that long and be sincere enough in prayers to be gifted a great vision of healing that is being done to this day. Â We need to remember her and honor her.
On March 12 a gathering was held to organize an event on July 15 to honor Tail Feather Woman. Plans included inviting â€œthe Big Drum Societies of the Anishinabe Nation with possibly the Muskogee and Menominee Nation who carry on the Big Drum Ceremony and bring attention to the life of Tail Feather Woman with our own People. We will ask them to share their stories and songs of Tail Feather Woman.â€Â One plan calls for creating a â€œmemorial monumentâ€Â at the north end of Pickerel Lake in South Dakota. According to Horne-Mullen: â€ The monument would memorialize the story of her feat and to bring awareness of the lake, recognizing it as a Sacred Site, a place where the great vision occurred. Â Our People and our future generations need to know who she was.â€
Another plan is to build a drum to honor Tail Feather Womanâ€™s legacy. Horne-Mullen wrote: â€œThe Big Drum can only move in the eastern direction, so the thoughts are we would gift a Big Drum in her honor. . . .Â We will consult some Elders of the proper protocol of creating a Big Drum. . . .Â I once heard from a Tribe in the South, that we as humans should carry on our life in honor of our family and People, we should never suffer the 3rd death. Â The first is when our spirit leaves our body, the second is when our body goes in the ground, the third death (that one should never suffer); is to suffer the death in the memory of your family and relatives.â€
Horne-Mullen concluded saying: â€œThis endeavor belongs to all Dakota Oyate, â€˜everyoneâ€™ should be included in this feat, with a hand in making this happen, what her vision taught, to bring Unity and Healing.Â Pidamaye for taking time to read this, Paula Horne.â€
For further questions, ideas or contributions to this effort, email Paula Horne-Mullen at Â firstname.lastname@example.org